By Bob Garver
Poster credit IMDB
Since this weekend’s highest-grossing as-yet-unreviewed theatrical film, 205-minute Indian actioner “Dhurandhar,” is playing on only 377 screens in the entire country, I thought I’d take this opportunity to review something a little more accessible. “Wake Up Dead Man” is the third installment of Rian Johnson’s “Knives Out” mystery franchise. Like its predecessor “Glass Onion,” “Wake Up Dead Man” is treating fans to a brief theatrical run to supplement its December 12th Netflix debut.
As with the original “Knives Out” from 2019, the whodunit largely follows a character so likely to be the killer that they start to suspect themselves. Jud Duplenticy (Josh O’Connor) is the assistant pastor at Our Lady of Perpetual Fortitude Church in upstate New York, having been assigned there as punishment for punching a rude deacon at his old church. He clashes with head pastor Monsignor Jefferson Wicks (Josh Brolin) over the church leader’s tendency to verbally browbeat unfamiliar parishioners until they leave. Duplenticy wants people to feel welcome in the church, and he also takes issue with Wicks’ drinking, greed, and general corruption. A rivalry and power struggle develop between the two, and it seems like control of both the church and the souls of Wicks’ inner circle are on the line.
Wicks’ inner circle consists of lawyer Vera Draven (Kerry Washington) and her adopted brother Cy (Daryl McCormack), doctor Nat Sharp (Jeremy Renner, sadly making no reference to the actor lending his name to a brand of hot sauce in “Glass Onion”), washed-up sci-fi author Lee Ross (Andrew Scott), disabled cellist Simone Vivane (Cailee Spaeny), church groundskeeper Samson Holt (Thomas Haden… Church, appropriately), and longtime church assistant Martha Delacroix (Glenn Close). These people and Duplenticy are the only ones near the pulpit during a Good Friday service when Wicks is found murdered in a closet off to one side. And the one who went closest to the closet during the service was Duplenticy.
Local police chief Geraldine Scott (Mila Kunis) decides that the case is too bizarre for her department to solve on their own. So she reaches out to an… outside resource. In comes private investigator and franchise face Benoit Blanc (Daniel Craig). Although Blanc can’t exactly rule out Duplenticy as a suspect, he’s a good enough judge of character to know that the kindhearted redemption-seeker probably didn’t kill Wicks, even if the evidence says otherwise. Still, both Blanc and Duplenticy have a job ahead of them, uncovering layer after layer of secrets involving illegitimate children, a crazed mother, a missing family fortune, more deaths, and a person in a pastoral robe emerging from a sealed mausoleum containing the recently-deceased body of Wicks and the skeletal remains of his grandfather. Did a Dead Man truly Wake Up in a Christ-like miracle? Devout Duplenticy believes one may have. Atheist Blanc highly doubts it, but then what did happen?
Fans of the “Knives Out” movies (and the similarly-timed Kenneth Branagh Hercule Poirot trilogy) will know to wait patiently for Blanc to unravel the convoluted mystery. For as twisty as these stories are, there’s a loose, but recognizable formula to them. Characters take turns as prime suspects as lies are uncovered and secrets revealed until likely theories are disproven and the solution has to be something else. The solution, at least as it pertains to the “How?” is never apparent from the outset, so it’s up to the audience to just enjoy the ride, usually courtesy of Blanc and his ridiculous Southern charm. This ride is less fun than the other “Knives Out” movies, with its often-serious looks at faith, betrayal, and forgiveness, and also because it takes Blanc longer than usual to show up. But it’s still fun, and certainly clever enough for me to recommend. “Wake Up Dead Man” may not be the sharpest of the “Knives Out” franchise, but it fits into the drawer just fine.
Grade: B-
“Wake Up Dead Man: A Knives Out Mystery” is now available on Netflix. The film is rated PG-13 for violent content, bloody images, strong language, some crude sexual material, and smoking. Its running time is 144 minutes.
Contact Bob Garver at rrg251@nyu.edu.